Stream Release:
Vinyl Pressing Information:
First Press:
200 Magenta
300 Jade Green
500 Black
Second Press:
200 Magenta/Jade Green/Black Tri-Color
300 Clear w/Baby Blue Haze
500 Doublemint
200 Magenta
300 Jade Green
500 Black
Second Press:
200 Magenta/Jade Green/Black Tri-Color
300 Clear w/Baby Blue Haze
500 Doublemint
Tracklist:
1. On The Way To Dads
2. Hungry At A Funeral
3. Damp
4.In My Dreams
The Difference In Good And Bad Dreams is Daylight’s third proper EP in as many years and a precursor building up to next year’s much anticipated debut full-length. These four new songs mark the Doylestown, PA quintet’s most focused and diverse record yet. Twinkling leads and Cobain-esque foreground whisper-singing add space and dimension atop of walls of grungy gained-out guitars. The tempo of the music harkens to brooding, patient mid-90s post-hardcore a la Fugazi or Quicksand, lending to a desperate undercurrent running beneath the songs. The thick rhythm section and spacious, huge drum parts are perfectly written to support some of the bands catchiest and biggest vocal hooks to date. Daylight’s signature unrelenting lyrical depression continues yet with a more melodic and dynamic vocal approach, fitting perfectly with the music. With this EP, the band has effectively carved out it’s own notch alongside contemporary post-hardcore heavyweights like Title Fight, Balance & Composure and Make Do And Mend paving the way for a breathtaking debut LP in 2012.
1. On The Way To Dads
2. Hungry At A Funeral
3. Damp
4.In My Dreams
The Difference In Good And Bad Dreams is Daylight’s third proper EP in as many years and a precursor building up to next year’s much anticipated debut full-length. These four new songs mark the Doylestown, PA quintet’s most focused and diverse record yet. Twinkling leads and Cobain-esque foreground whisper-singing add space and dimension atop of walls of grungy gained-out guitars. The tempo of the music harkens to brooding, patient mid-90s post-hardcore a la Fugazi or Quicksand, lending to a desperate undercurrent running beneath the songs. The thick rhythm section and spacious, huge drum parts are perfectly written to support some of the bands catchiest and biggest vocal hooks to date. Daylight’s signature unrelenting lyrical depression continues yet with a more melodic and dynamic vocal approach, fitting perfectly with the music. With this EP, the band has effectively carved out it’s own notch alongside contemporary post-hardcore heavyweights like Title Fight, Balance & Composure and Make Do And Mend paving the way for a breathtaking debut LP in 2012.
Daylight have always been one of the most emotionally endearing bands of recent years. Their brand of melodic hardcore-punk is drenched with an aesthetic of raw desperation, unleashing their inner turmoils upon the listener with intensely personal songwriting that aches with loathing and regret...Their Run For Cover Records debuts polishes down much of the rough-handed grit that characterised the production of their earlier material, resulting in an easily accessible release that drips with gripping, bitter poignancy. - Kill Your Stereo
These guys rock hard and loud and these songs are defiantly meant to be yelled in your car on the way to your shitty job. 9/10 - Absolute Punk
4 tracks, 13 minutes long, this EP comes like a single critical blow, showing us a matured Daylight. Up- and down tempo songs with feeling to it, emotion and power. Long story short, we are enchanted by this little masterpiece these guys brought us. - Legends Arising
These guys rock hard and loud and these songs are defiantly meant to be yelled in your car on the way to your shitty job. 9/10 - Absolute Punk
4 tracks, 13 minutes long, this EP comes like a single critical blow, showing us a matured Daylight. Up- and down tempo songs with feeling to it, emotion and power. Long story short, we are enchanted by this little masterpiece these guys brought us. - Legends Arising